Saturday, June 13, 2026

While reading Rilke on angels in my adolescence (originally published in Across The Margins, 10/27/2025)

While reading Rilke on angels in my adolescence

I thought of air and breath and exchange
and wrote a poem, since lost, in which human
exhalation became angels’ inhalation
and vice versa, a symmetrically
if not theologically, sound arrangement
 
they required our density and susceptibility
to gravity, without which they floated
aimlessly, hopelessly, a fate worse than Lucifer’s
who at least has a base of operations, a home,
while these others wandered like hobos hoping
to hop a celestial freight train, until they found us
 
and we were inspired by their lack of corporeal
reality, their ability to move freely through all
four dimensions without the restrictions of physics,
and thus we were impelled to leave the cave,
to stand upright and look to the stars and the moon,
to howl in frustration, to heave a lovelorn sigh
 
I wrote with youthful earnestness
of the angels among us who draw our eyes
and our thoughts upward and outward, inspire
us and drive us to find others in whom to invest
our energies and desires, upon whom to inflict
our fears and aggressions
 
I realized later there are no angels, Biblical nor
of the Hollywood variety, instead, and better, we
have artists, poets and singers of song who from the first
have been our guides through the mysteries, our lights
in the darkness, guardians of the only holy things:
breath and exchange

Tuesday, January 20, 2026

Coming Events

                                                                      COMING EVENTS


New Book from Finishing Line Press! 
Also available through Barnes&Noble (online)

Relict is a chapbook of poems centered around the death of my father. It deals with questions of grief and loss, but also celebrates the ties between a father and a son, and explores questions of generational legacies. You'll be able to hear me read from Relict (along with other poems) at all the following events!

AND!! Double Vision, a collaborative art/poetry book from me and collage artist Becky Haletky!

Reach out to me at mosherb987@gmail.com for details.

 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

     July 19, 2026 – The Old Manse, Concord MA (!!!) – time and other details tbd

Event sponsored by the New England Poetry Club. Imagine me, reading in this historic house which Ralph Waldo Emerson and Nathaniel Hawthorne both called home.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Be sure to check back here regularly for more news!

Saturday, November 29, 2025

In The Frame - originally published by Tap Into Poetry - 8/22/2025

 In The Frame
 
I apologize, I did not mean
to get inside the frame.
You were capturing a
photo of your family
when I passed unwittingly
between them and the famous
lighthouse. It’s impossible
to avoid these days, when
everyone is photographing
everything all the time.
 
Many regrets, as well,
for intruding on your life by
falling for your wife. She’s
everything I’ve ever wished
for, and you seemed unaware
of her magic. I see no way
to remove myself, for this
is life, not a digital image
to be altered with a click.
 
To live is to swim
in time, floating
from past to future,
unlike a photograph
which is fixed, a static study
of a single moment.
I’m sure you’ll learn to swim
in new waters without her,
as she and I learn
to swim together.
 
You’ll always have the photograph,
and can easily delete me from that.
 
 

Friday, September 5, 2025

Shelter - originally published in Lily Poetry Review June 2025

Shelter
 
library art gallery
poetry reading
a dank weekend afternoon
 
two without homes find shelter
from the rain with me
and eleven Laureates
 
as tobacco-smoke-scented
clothes and bones dry out,
are their hearts warmed by the verse?
 
probably not, but I hope

Saturday, August 2, 2025

What's Mona Lisa Got to Smile About (originally published in the Slightly Off-Beat Poets Anthology "Many Voices ~ One Stage")

 
What’sMona Lista Got to Smile About Anyway?
           
What’s Mona Lisa got to smile about, anyway?
I bet Leonardo was no treat to be around.
I bet he never cared to hear what she had to say
 
About the day’s popular sonnets, or satirical plays,
Or even whatever hot gossip had been making the rounds.
So, what did Mona Lisa have to smile about, anyway?
 
If a modern artist were to paint her today
There’d be an accompanying video with stereo sound
So, we’d have permanent record of what she had to say.
 
If I could travel back to those days, I’d be willing to pay
Leonardo in Dollars or Euros or Kroners or Pounds,
To ask “Hey, what was she smiling about, anyway?”
 
Instead, she sits frozen, and Leonardo’s gone away
As thousands of tourists stand silently ‘round
As if expectantly waiting to hear what she’ll say;
 
Perhaps something witty or silly, or suitably gay.
But not one of them yet has ever found
What Mona Lisa’s got to smile about, anyway,
Or if she ever had anything interesting to say.